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dear love,
remember the bamboo tiger cages in those goddamn movies. and napalm, sinister rain, deathly tangerine vapor veiling the islands, for simulation’s nothing like the real thing. the real thing. the real thing. military choppers of film script, steel demon birds, called away to quell real life dictatorship’s farthest outposts of rebellion. who among us could’ve told the difference? they have mistaken my home for a hollywood set of your home. even my language was a stand-in for yours. your country is not a war. my country is no longer mine. this i wished to tell you, because i was thinking of coming home to you.
yours.
Litany of the Blessed Virgin remix
Lord. Have mercy.
Christ. Have mercy. Whoever the fuck is up there —
Have mercy on us.
Have mercy on us.
Virgin most prudent,
pray for us.
Queen of fallen
angels, pray for us.
Pray for us, O Holy Mother of God. That we may be worthy. Pray for us. That we may be. Pray for us. That we may. Pray.
dear love,
you dream in the language of dodging bullets and artillery fire. new, sexy diagnoses have been added to the lexicon on your behalf (“charlie don’t surf,” has also been added to the lexicon on your behalf).
in this home that is not our home, we have mutually exiled each other. i walk down your street in the rain, and i do not call you. i walk in the opposite direction of where i know to find you. that we do not speak is louder than bombs.
there are times that missing you is a matter of procedure. now is not one of those times. there are times when missing you hurts. so it comes to this, vying for geography. there is a prayer stuck in my throat. douse me in gasoline, my love, and strike a match. let's see this prayer ignite to high heaven.
parable
the mermaid loosed her tongue against another, a twittering songbird in a sumptuous cage. the mermaid loosed her tongue as if she were extending claws to swipe, as if craving warm blood. in her sleep, a vision. a house of wire cages encircling the songbird. doves’ rank, rotted plumage. maggot-infested eagles, wings and beaks, clipped. lawin’s crusty, milky eyes. herons’ open sores, overcome with infection.
diwata came to the mermaid, stroked her thick, nightblack hair. do not fear, for one day the songbird will trill in a palace of pearls and summer seashells. and the mermaid breathed a sigh, lulled to sleep by the song of the ocean breeze.
(Ə-pŏk' Ə-lĭps')
dear love is it true there are no demons but the ones we’ve invented fallen from firmament’s edges into oceans of fire harnessed splintering secrecy’s epidemic trace salt circles upon stone virgins’ breached fortresses mercy aversion
tell me your name awakens carved flesh sutures continue to pray once the word is uttered the sky will open its thunder because doubt was never cast no memory corroborates we exiles in the register of baptism. Poems on this page © Barbara Jane Reyes 2005-2006
Barbara Jane Reyes has been selected as the recipient of the 2005 James Laughlin Award for her second collection of poems, Poeta en San Francisco (Tinfish Press). The James Laughlin Award is given to commend and support a poet’s second book of poetry. The award was established by a gift to the Academy from the Drue Heinz Trust in honor of the poet and publisher James Laughlin (1914–1997). Ms. Reyes will receive a cash prize of $5,000, and the Academy will purchase copies of Poeta en San Francisco for distribution to its members. This year’s judges were James Longenbach, Mary Jo Bang, and Elizabeth Alexander. Ms. Reyes was born in
Manila, Philippines, and raised in the San Francisco Bay Area. She
received her undergraduate education at the University of California
Berkeley and her MFA in Creative Writing (poetry) at San Francisco State
University.
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