Corriente Interviews Comments Directory Guidelines Columns

Barry Schwabsky

 


Ghost                                                                

 

 

You’re always driving right where I am

or just where I’m going. But when will it show

in the flesh?  We add, obstinately, to language

 

more of the same, pages of perfumed grass.

Dreams of injury, warm honey

burning in your throat, drift us through

 

the play of night, plan of night, desperation

I’m most happy in. Everything beautiful is far

but that doesn’t mean evanesce on me.

 


 

Augury                                         

 

 

Impatiens, meet touch-me-not.

Be as close as possible. As close

as desire, no more, otherwise pass

 

each other toward some opposite

distance. Subscribe our interruption

of indefinite night. Postpone reticence.

 

We more than wounded know nothing

of flowers but the ripe pod

scatters its seed regardless.

 


 

Pictures or Music                                 

 

 

It’s work for lost eyes to assert fine

moral tone while skimming cream

off of daylight. Dear Cloudy:

 

Dear Rainy: Dear Mist On My

Windowpane: Even blind water

finds equilibrium. Tunes poured

 

through a funnel forget themselves

in a function: that love, the indivisible,

set his face toward all.

 


 

Paper White Narcissus                             

 

 

Take what you want and then

losers weepers. Reality moves

among us—“.” Painless

 

tastes something like this only

we believe broken bones knit,

don’t we? After flowering: May discard

 

or keep cool and place outside

in spring as soon as soil can be worked

or the following fall.
 


 

Paper White Narcissus (II)                      

 

 

Care: Very challenging. Attractive

while in bloom, then usually discarded.
Difficult to cultivate year round and

 

rebloom inside. But our idea

is better, to accumulate the scatter

we fumbled understanding

 

so it sounds visible intact. Your art

is taking a breath. Have you

begun to shiver yet? I have.

 

Poems on this page © Barry Schwabsky 2005-2006

 



Barry Schwabsky was born in Paterson, N.J., and now lives in London. Recent publications include Opera: Poems 1981-2002 (San Francisco: Meritage Press, 2003) and [ways] (with Hong Seung-Hye; San Francisco: Meritage Press/Seoul: Artsonje Center, 2004).Forthcoming are the chapbooks Tephra (New York: Black Square Editions) and For Despair (Los Angeles: Seeing Eye Books). As an art critic he is the author of The Widening Circle: Consequences of Modernism in Contemporary Art (New York: Cambridge University Press, 1997) as well as contributions to  books including Jessica Stockholder (Phaidon Press, 1995), Vitamin P: New Perspectives in Painting (Phaidon Press, 2002), and Gillian Wearing: Mass Observation (London: Merrell, 2002), among others.


P R O F I L E

What's your favorite poem that you've written? Care to share it with us?

My favorite poem is always the next one.

What is your favorite poem by another poet?

Same now as thirty years ago, John Ashbery's "Soonest Mended."

What poets have had the most influence on your work?

Ashbery, Jack Spicer, Wallace Stevens, Paul Celan, Pierre Reverdy, Stephane Mallarme, Sir Thomas Wyatt, and the author of They that have power to hurt and will do none.

What's your pet-peeve in a poem?

Cultural icons, e.g., no descriptions of Vermeer paintings, please.

What's your favorite print journal and why?

New Left Review, because it helps give me a broader perspective on my world,

Do you have a writing ritual? Care to share it? Do you ever break this ritual for artistic reasons? If yes, how does it change or improve your method?

There is very little pattern to the way I write poems.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 





 

 

 



















 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

www.mipoesias.com

Guest Editor