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clearing what had been taking place
The difficult surface of a balloon placed by still weeks filling the year. Whenever possible, so certain proves precise, and then came to mean objects, or of some earth, where spreading without travel accepts ideas.
Frankie & Johnnie
“In
that case, I should advise you to attempt by every method
practicable and impracticable to conceal the fact instead of making
it glaringly apparent—“
The gunners link as parents lounge, The four impossible complexions, old structures, another For now. She went for the chair that took all of her staples, Pouring over the trousers. I remember him for I know that my entire left Is how one must remember a hemorrhage, Or teaspoons dry with one’s medicine. Incubational, repeatedly straightened and pressed To match a young man’s skill and shape. In language, the pause will promise some effort. The fabric, In a lateral sense, bags the silence, through the focus of cells It is held together. It was silence once, And now she has put him and them askance on her settled knees. This is your bet to stay long. Walks to the end of a new street Just after moving in, are planet-like, noticeable. Complete with direction to forget the black whale truth That once questioned their firm backs packed into bottles. A complexity rocking the initial or glare alley, Along with leaflets virtual and born to the girl, Once of husband, once thinking she was known in this way. Screaming of land. That's mind, Screening eyes from the sun With bread before it’s eaten. That day A fighter poured onto a land Going into an occasion, And followed into occasions, he being there Made them ring in pitch and attention. Being shown there are stations elsewhere Where provide the distance to return home. An example holy, made his atoms with it. A little part of him grunted to run home, to not ever again Make that same continual noise. As he said, safe here, he returned to his feet, waiting again For those perfect and giving movements That looked just like him alone. The squeaky bunk, terrible to settle into at night, And stars left behind what keeps happening. Amen, complete silence On that, not smoking a word. On into air, then his chest, unattainable there. Suggestions were beach eased. I'd like to like you again. Although he told his daughter to approach slowly In the open market, where her gestures can’t seem businesslike Once more. It’s her face that relives conditions in a body That needs the immediate calling to mind. Knowing her emblem starts at my braids. She is fair when distressed. Her husband, leaning his good ear Against the screen to hear the static Of the never talked of. The acceptance of dropping To the ground, unknown to the arms, Made in quaternion space. And to say something for the rock Standing, and the I dropping, is Conservatively preferred in the learning That shakes from sudden amusement. To the east, Anglican men look and look, normally to copy Everything on bits of cow. In her mouth, then, as she sniffs, breaths That rise through gray eyes That her father’s heaven may disdain. For the roots are settling now along the house, And soon we should consider this place old, With the age so barren to proper account.
sometimes of travel, those taken are carried and released as though trusted and left in a new field, puzzled by those who called this space the negative, who called for matters and declared their suspicions clinical, of going under a thin sheet, met with an entire night, then secured by the discovery that there was a new surface for the known cause, moved by each new turn in each new range of what was then to be, there diced by feckless enthusiasm, whether waved on alone or asked to hold place with others, those who wait for what may somehow explain each prolonged course
Poems on this page © Jordan Stempleman
2005-2006
What's your favorite poem that you've written? Care to share it with us? The last one What poets have had the most influence on your work? Tom Raworth, Paul Hoover, Lyn Hejinian, & Ted Berrigan What's your pet-peeve in a poem? (ex. comma splices, obscurity) I love comma splices, I love obscurity What's your favorite print journal and why? It tends to change by the issue. Do you have a writing ritual? Care to share it? Do you ever break this ritual for artistic reasons? If yes, how does it change or improve your method? I write while our child eats waffles and after we turn out her light.
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