ISSN
 

1543-6063

 
  KAZIM ALI  
 
 
   

Ornithography

sunlight alarms the room
tattered by time and the failed window

dust motes taking note of the yellow
as it passes through the glass in bars without breaking

a difficult spill from the blue leading to an idea
the sky is you, the bird was you, the glass was you,

are you still, though all broken—

if you sail out on your boat will the air unroll,
will it open into navigable paths

will you single out the sound that lingers
a bow that shivers along the strings

a transcription of the sight of five hundred wings
dreaming a sudden maze

whose feathered arms are gesturing
through dust’s field of vision

when you the boat’s wake
when the rudder drifts

the surface is still
is it really still since still reaches back

threads the idea of the boat to the idea of water
chores here are choral

the cords of your work connect you
crouched in the shade, dustpan in hand

if lingering is the wind
if the waves of the sky-road are really wind

water is waves
if the boat sails through mist

will the island coalesce
will you coalesce

of dust and light and broken glass

who has to sweep
who has to patch the empty frame

who is going to fly back
to blue

 

The Second Funeral

We will return in forty days and the seam
of the disturbed ground won’t be visible.

Death is a miracle I do not understand,
our life already split in half.

Five women across the street, hold hands,
forbidden to enter the burial ground.

In forty days our prayers
will have evaporated into winter wind.

What will then stitch the earth closed?
A thread of five cousins, forbidden to cross

and the sixth who went to them,
warm earth in his hands.

 

Math

Adamant as the jade in the window
the year carries itself into the new season.

When winter turned to summer
I forgot it all like math,

God in the sky and God in the water
dissolving at the horizon,

or God in the air and in the plant condensing
on the glass, a geometry of frost-rime,

because when we went into the ocean,
the waves were glass-green, the sky pure indigo.

In the room last winter’s writing
can still be seen.

Who is that in the space where your
self and your self do not meet?

In the ocean our bodies float together
just a few feet apart.

 

A Century in the Garden

It is hard not to know my death my nowhere trajectory

What is the difference between entity and eternity

I asked him the long syllableless afternoon

The ache a quench the eighty-ninth question

My disappeared friend a body I used to know

It doesn’t need to know my death its dark current


 
 

Kazim Ali is the author of a book of poetry, The Far Mosque (Alice James Books), a novel Quinn’s Passage, named of the Best Books of 2005 by Chronogram, and the chapbooks River Road and from the Book of Miriam the Prophetess. His most recent book of poetry, The Fortieth Day, will be published by BOA Editions in the spring of 2008.

Ali’s poetry has appeared in many national journals including American Poetry Review, Boston Review, Barrow Street, jubilat, Hayden’s Ferry Review, The Iowa Review, Colorado Review, and New Orleans Review. An essay on his work by Meena Alexander appeared in American Poet. Ali’s essays on poetry and poetics have appeared widely, and in 2007 he is writing a regular column for American Poetry Review.

 
 
 

 






 

 

 

www.mipoesias.com

more...