ISSN

1543-6063

 
  MAXINE CHERNOFF


 

As Make the Angels Weep
“Boethius was a victim of what would now be called ‘future shock’.”
                                                    —Felipe Fernandez Armesto

When the god-image
enters the man-image

When the champagne is poured
and the boat embarks on its journey

When truth is buried
in the graveyard of certainty

When the entrance is a grave
and an exit from the womb

When pure reason opposes
practical reason

When “I do this”
replaces “I do that”

When the two shepherds
are met by the village musician

When the chanters’ art perishes
and tea gets poured regularly

When rappers revolutionize
the use of the drum machine

When the lapis blames
the stone

When spirit
becomes a religion

When monochrome
replaces landscape


When certainty
becomes reality
 

When open and direct
means closed and opaque

When immortality
flees the world

When celebrity death
replaces news of war

When we historicize
our futures

When we survive
our disappearances

When children are mistaken
for ghosts

When science moves
to a green tower

When captured means
in fashion

When death falls in love
with stillness

When murder
chastises history

 

Lost World
“Nothing is truly beautiful except that which serves no purpose.”
                                                                            —Gautier

As four walls make a room
the pilgrims appear
through their map

The unreal flourishes
beyond imperious themes
and borders closed to laughing

And landscapes hold no proof
if intention is a sin
then dreams are guilty too

A blameless geography then,
blameless houses, blameless men,
a mistaken faith in color and light

Neutrality is to blame
for wanting us to agree
with its bland gestures

So much emptiness to fill
until we declare, quite innocently,
“There was a city on a river.”

 

Sensorium
The third language is their own. Outsiders call it a dialect.”
                                                            –Roger Shattuck

Obsessed by prepubescent girls
the luminosity of angels
the Bible bound in shiny fish skin

Obsessed by her good manners
a paradise or hell
the dream of a curling-iron

Obsessed by pleasing objects
a sexual trauma
the Virgin on the altar

Obsessed by a body unlike a body
a crease in the light
the mystery of capital letters

Obsessed by the danger of drowning
the perfection of philosophical dogma
the meaning of cool

Obsessed by the gaps that form character
the functions of rhetoric in myth
by what is called “loss of a soul”

Obsessed by a sense of anecdote
occult symbols of pity
the elimination of objects from his paintings

Obsessed by war as an act of coitus
repression as historical fact
bridges in flames as we pass

Obsessed by all variety of bird
universal male suffrage
the contingent world

 


 

 

 

Maxine Chernoff is a professor and Chair of the Creative Writing program at San Francisco StateUniversity. With Paul Hoover, she edits the long-running literary journal New American Writing. She is the author of six books of fiction and eight books of poetry, most recently Among the Names and the forthcoming The Turning, both from Apogee Press. With Paul Hoover, she has translated The Selected Poems of Friedrich Hölderlin, which will be published by Omnidawn Press in 2008.



 






 

 

 

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