Hanna Andrews

In June '03, Emily takes a job as a mermaid,
 
swimming in a glass tank behind the bar at the Coral Room
in West Chelsea. I go with her, watch her hair fan out in
 
tentacles when she front flips. On her breaks, in a toga of
cheap towels, she drinks Stella from the bottle & I stare
 
at little beads of water perched in fine hairs above her lip.
After her shift one night, up on Alice's roof, I'm tallying
 
poses. We are snapshot ready & fade cool into our
technicolor backdropeverything jagged and jeweled.
 
It is the beginning of summer in New York; the clocks
have gone blank. We smooth out our clothes & walk
 
to work, drinking cold-pressed coffees from Atlas on
2nd Avenue. The air isn't thick yet. We're dirtier than the
 
powdered groomed girls off to Goldman Sachs, but
preppy against the punks eating donuts in front of Trash &
 
Vaudeville, holding on to what's left of St. Mark's for dear life.
It's a feigned last stand: each of us, these days, has an exit
 
strategy, rehearsed & crouched around our ears. The warm
stillness, too, is posturing. The clouds pull apart, roll low & away.

 

Old Photo Album, La Ciotat, 1996 
 
Nathalie went from pajamas & ponytail to lipsticked sophisticate
             in less than 20 minutes,
waiting every morning on the front porch for Fabien.
 
Thierry, slick, spun German techno and '80s Britpop at the discotheque,
             carried his vinyl in black briefcases.
 
Sitting on the stone overpass, Florence imagined Paris, smoked
             miniature cigarettes—Capris?—sketched
 dress fashions, Chanel logo tattooed on her wrist.
 
Melanie, sweet songbird with political parents. Daydreamer in sea villa.
 
Her brother Julien, brooding, budding expatriate. Tried to woo American
             girls with moped, love letters, intensité français.
 
Strange Audrey, recluse in mountain outskirts, banned from nightclubs
             due to turtlenecks, unkempt eyebrows, chic snobbery.
 
& Peter, report card all Cs, quaint English learned from old movies,
             plastic-sleeved wallet photo of Mickey Rourke, prayer card
for dead twin sister. Clouded brown eyes wide, westward.

 

Construction

 
She pushes her i.d. toward me, a photo with a different face, California
in blue bold. A few months before sixteen, before the photographer came
to the house & arranged her clumps of curls just so; the birthday that
found her gowned & blacked out for the doctor who specialized in this
sort of thing; her mother nodding bedside; the therapist who gave her
a pat on the back & a packet of Skittles; the days she spent dark, hand
to new bones. I take in the idea: second version of self. It has nothing to do
with you she says & snatches the license back. This happened to me.

 

 

 
 

A David Trinidad Publication for MiPOesias Magazine 2007