Leanne Averbach

Where Envelopes Come From (1977)

                  

That curdled dead

horse smell coming

 

from machine jams

of paper and amber glue—

 

our Luddite knights,

horse & armor—

 

diminish the roar

insignificantly.

 

When all the machines are going

and they always are

 

it is all-the-machines-of-the-world

loud.  A percussive shroud.

 

Or a hailstorm tumult

with birds running for cover

 

but we stay where we are

assigned. One grows accustomed.

 

The factory hangar holds us:

an enormous mouth

 

clamped shut, the chew

or swallow imminent.

 

It makes sense

over liquid lunch.

 

Some guys never sober up

till a strike is called—

 

then the harsher supervision

of their wives.

 

Our eyes raccoon

from sluggish shifts, short

 

stone-solid sleeps. 

I dream about the factory

superintendent, he stands
behind me as I bend

and pour warm glue

into trays pooled inside

 

my machine—a colossal metal Fury

of a thing. He is a handsome

 

clean man, my nails are dark,

moonless, and my hands richly

 

paper-cut from tip to roughed-up

heel.  I feel the machine in

 

me, how he and I could

climb into the vast dark side

 

of the hangar warehouse, into

the mechano-set "stacks"

 

where one can cop

a smoke or, through denim

 

overalls, a feel. But I am here

to beguile the proletariat.

 

I, the boat-rocking union

pinko chick. Popular

 

as a month of consecutive

Mondays. 

 

Several two-men

sized women workers

 

rule the floor: huge, good

for "bumping" in what passes

 

for promotion.  Their hard

eyes narrow, sink into their

 

sizeable faces if their stations

are threatened

 

and their mandibles

roil when sickness

 

or death open up

a coveted post.

 

Pillars of tree

remnants—

 

bleached, manilla,

pastel—stand around us

 

like another species

tidy and doomed.


 

Big

The tallest man ever was

an American.

Robert Pershing Wadlow

of Illinois, 7 foot 8

at the age of five and

later 8 foot 8 at twenty-two

died alone in his sky.

 

According to some

Hebrew chroniclers, Goliath

of Gath stood at 9 ˝ feet

but Flavius Josephus' translations

of the Septuagint offer the more

credible 6 feet 10.

Much later French anthropometrist

Paul Topinard could not pull

off his tallest man of Finland

claim, nor could a drum major

in the Russian Imperial Regiment—

femurs and tibias in Leiden Museum

display the lucent truth.

 

Last night I measured you

beneath a tall ambergris

moon, fragrant and ash-

colored, in the calipers

of my gaze.

 

You were no giant,

no Ringling acromegalith

tight-walking out that door.

I recalled the celebrated midget

Jozef ("Count") Boruwlaski

of Poland, a mere 35 inches

at his peak. How his memory,

past all expectation, lived on.

 

 

 Cuba, por fin!


The roads from Havana

scrawl into unscripted

distance.  Frond

paradise, and no ideas

on what to buy, oh my.

 

Cars flirt

and colorize, forever

once young.

Who has not wanted

it: to still a time, our truest.

 

But we know this is a poor idea;

with the true comes

the all-too-true, though in Cuba—

what a soundtrack!

Cuba, I love your rhythms, your Che

 

dolls, your sanguine

Fidelity, your art

naive.  I love you most

when I leave.

And return to nothing

 

averse.  I wrap for you

the cocoa and the DVD's

and the dollars and recall the breeze

as the Malecon wall is wanked

by the irresistible, the sea.

 

 

 
 

A David Trinidad Publication for MiPOesias Magazine 2007