L. Teresa Church

 

Black Baby Blues

Nuthin’ lovely
’bout my birth moment.
Mama said
experience
broke her heart,
flooded her with tears.
She knew what Daddy’d say
once he laid eyes on me,
stared through ignorance,
disbelief ’bout how babies
sometimes take-back
from third generation.

I became a wedge,
the conflict never worked out
between a red-bone mother
and a lemon-skinned father
who swore
there was no way in hell
a pretty man like him
could ever
father a soul
so black and ugly.

Told Mama he felt
no obligation.


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Mississippi Moon Madness


Nights without moons
down in Hangdog
drove Papa to strange fits
of Mississippi madness.
Boyhood memories echoed,
brought back ghosts,
his father still fleeing
three-letter white boys
of the bed-sheet fold,
crosses flaming
in a lonesome field
tilled for crucifixion.

Our family kept curfew
behind covered windows,
snuffed out lamps,
as the old sentinel,
pocketed shells,
gripped the oiled shotgun,
left to walk the homestead
‘til first light.

Like spearheads hammered
to readiness on ancient anvils
the cycled rise of his madness
stirred revolutions in offspring,
claimed us while we awaited
his next-blood in birthing rooms.

Each day, dusk gathers us for duty,
we keep vigil on our blocks
where Motherland warriors
drive the night
into surrender.

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Copyright © L. Teresa Church 2007

 




L. Teresa Church resides in Durham, North Carolina and is a native of Virginia. She is a playwright, freelance writer, quilter, poet, library professional, and member of the Carolina African American Writers' Collective. Her writings have appeared in publications such as Southern Theatre; Fertile Ground; The Saracen Literary Magazine; BMa: The Sonia Sanchez Literary Review; Word and Witness: One Hundred Years of North Carolina Poetry; Sauti Mpya: The Literary magazine of the Sonja Haynes Stone Black Cultural Center; Exquisite Reaction; Moonwort Review; Nocturnes (Re)view of the Literary Arts; Drumvoices Revue; and Black Arts Quarterly. In 1989, Church won the North Carolina Arts Council's Playwrights Fellowship for her third play, "ONE DAY WHEN I WAS LOST."