Kyle G. Dargan

 

Folk
 

My people were known for their voices—how their harmony could nurse fields back from drought. Though my people amounted to but a few bars of The Nation’s song, theirs was the bridge looped over and over, crossfaded until their bodies blurred. The Nation didn’t know what to do with the bright smears of my people. Obsessed with sound, The Nation drew blades and began to clear cut my people’s throats—heads and bodies left strewn like soft rubble. My people fled into the desert’s sands, mastered the flame and art of birthing glass, built clear, tempered cities and never returned. The Nation gradually outgrew my people. It loomed large, gazed upon them like children awed with ant farms—noses pressed against impervious, transparent panes. The Nation loved watching my people’s industry, but missed their sound and kept tapping the glass begging them to sing once again. My people refused, they’d come to realize their voices were the only things that could make their houses shatter.

 

Letter Home II
~via Bloomington, IN


The trees, on the flank the wind beats,
are scabbed with snow.

Tell grandmother not to worry—
I’ve met a nice girl in the library. She isn’t us,
but I’ll ask her out. Expect grandchildren

soon. People shrink in the cold. I
imagine, momma, you may be as tall as me again.



Boy Dies Falling
~Academy Spires, Newark NJ


The truth is a line
no more follows time’s ire
than a tiny child tailing a cat
echoes a sinking star.

Between our feigned light piled in the sky
and pedestrians’ eyes bricked over
with the everyday, no one sees
stars or five-year-olds
piercing fifteen stories of weak atmosphere
before there is blacktop. Must we return
to the line—how form is trusted so.
The iron lines trilled across
high-rise panes should have held
his note :: his rigid curiosity
a shunt from boxed air to open (again
a line) he followed to brief flight.

Life will continue to fall from sky, even
the sun some day—a promised
dawn when no light above
will mean boys named Zahir—shining,
radiant, blossoming—will rebel
against gravity and plummet
upward as the beacon should.



NOTICE:
To the Addict who Robbed Us on a Landscaping Job

~University Heights, Newark NJ


You could’ve tuned to greed, tried to pull out
a lawnmower or tuck weed whackers under each arm.
That leaf blower, a cooler porridge—
shoulder straps, detachable chute.
We didn’t think twice as you zigzagged up the road,
mumbling to some muse. We turned our heads
and you were wind, just like the machine on your back.

What black comic won’t deem dope fiends too slippery,
but you trailed an aura-wake—heat streaks woven
across South Orange Avenue from University
Heights to the projects my mother rose in.

                                    Know we could have pursued,
even bought back the power blower
(and saved ourselves) for a fix-worth
of bills. But, rightfully, you would’ve blown
if our rusty pick-up came clanking your way.

We left it to the summer’s judgment—fearing
our small boss, sour there was likely
a man brown as all of us selling you
something so sick you’d risk
stealing from we who carry axes,
stakes, and blades for a living.



Semiotics or After Gangs Came from the West


The graphite of winter hedges
stuffed with sparrows and rustling

trash gives way to the 3 o’clock
flood of little suns escaping the globes

and algebra books which orbit them
all day. They clot on corners, claiming rival

hues of hemoglobin. They bounce-walk
and break into an origami of bone—

fold their hands into birds, fingers flapping
and preening. A red feather tags

danger, as does blue—what irrigates
their bodies so dooms them. It seems

affectionate enough at first—chatty
hands and hugs which end in thumps

on backs—but a darker exchange ensues
when one sun is red, the other blue,

when bird hands dive below waists
to emerge with fire in their beaks.

Someteen, these young suns set with their light
splattered about the bushes—

a cold ignition of color. We blot it
with stuffed bears and wind-scarred roses

until leaves migrate back to branches—
spring’s green shroud saying forgive me

you shouldn’t have to see this.

mp3

Copyright © Kyle G. Dargan 2007

 

 


Kyle Dargan is Managing Editor of Callaloo and Distinguished Adjunct-in-Residence at American University. His debut collection of poems, The Listening, was awarded the 2003 Cave Canem Prize, and his forthcoming book, Bouquet of Hungers, will be published in late 2007 by the University of Georgia press. His poems and non-fiction have appeared in such publications as Denver Quarterly, The Newark Star-Ledger, Ploughshares, and Shenandoah.