A. Van Jordan

from Quantum Lyrics

CUT TO:
INSERT SHOT: A scene from Triumph of the Will by LENI REIFENSTAHL.

The camera, installed on the flagpole, climbs up,
nearly three stories tall, to take
in the grandeur of German
seduction with rhetoric of peace
and the tension of swastikas and smiles.
See from the left they march in and cut across
while from the right the other regiment enters;
they make a sort of circle of uncertainty
around our lives. Listen, there’s no
mention of race theory; there’s not
one Jew in sight. Only black
boots, black and red flags and the chiaroscuro
of Nazi soldiers and their shadows,
of the people and the Führer.
 

Richard P. Feynman Lecture: Broken Symmetries

Symmetry walks between two worlds. To the hands it tries to touch us from either side; to the feet, it simply wants us not to stumble but to saunter; and, to the heart, it gives as much as it takes. Protons have neutrons; matter has anti matter. It’s all a negotiation of will, a charade of dominance and submission, and we play like adults play with memories of our youth. We believe that love is equal to hate but nothing is perfectly symmetric. Instead, we should question why is the world nearly symmetric. Why, for example, does the earth orbit elliptically, as if these old hands had drawn the path, instead of following an elegant circle?

In the city of Nikko Japan stands the Yomei-mon gate. Elaborate in design, the gate has princes and lions and nymphs and other elements carved in--what appears to be, at least
perfect symmetry. But, if you look closely, you’ll notice that one of the princes is carved upside down. And if you ask the people of Nikko why, they will tell you that it’s carved so the gods won’t get jealous of the perfection of man. But I put the mirror up to that statement and say that the laws of nature are nearly symmetrical because God didn’t want to make man jealous of her hand.

And in the mirror, the clock ticks a little slower, the heart beats a little delayed. Watch the hand touch your face and, for a moment, one hand brushes both cheeks at once. But then you begin to pick the body apart: one foot is longer than the other, one breast hangs a little lower, one eye winks and the other can only blink and, suddenly, you’re not the woman you thought you were. But then you look at a tree growing cherries or a flower sating a bee and you count the branches or the petals and you realize nothing is as beautiful as you once believed. And through our eyes, we continue coveting our reflections: The blade of grass wants to be a rapier; the clouds want to blow over the lips in circles; the eclipse wants to bring back the light.

 

Copyright © A. Van Jordan 2007     

 

 

 


A. Van Jordan is the author of Rise, published by Tia Chucha Press, 2001, which won the PEN/Oakland Josephine Miles Award and selected for the Book of the Month Club from the Academy of American Poets. His second book, M-A-C-N-O-L-I-A, published by W.W. Norton & Co, 2004, was awarded a Whiting Writers Award and an Anisfield-Wolf Award. M-A-C-N-O-L-I-A was listed as one the Best Books of 2005 by The Times (TLS). Jordan also won a Pushcart Prize in 2006, 30th Edition. He is a graduate of the Cave Canem Workshop. Quantum Lyrics will be published in July 2007 by W.W. Norton & Co.