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Poet and collagist/object
maker Laurie Price is the author of Except For Memory (Pantograph
Press), Under the Sign of the House (Detour), The Assets
(Situations) and Minim (Faux Press). Her work has appeared in
numerous print and online journals, including Arshile, New American
Writing, HOW2 (poetry & mixed media sections), the east village
(poetry & art) readme, Xcp, ixnay, and Skanky Possum, et
al. New work is forthcoming in The No Tell Motel Bedside Companion,
Second Floor. She has lived in various towns and cities across the
US, Mexico, and Morocco, and currently lives in Granada, Spain.
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DISTANCES
You trust at the corners, the truth a
viable joke, its tremolo a minor chord. Your gaze is
correct, you have the funky rhythm. You circumnavigate the
airwaves, wing on high, tone in shaft. You strike the
position, your virtue towers along the cobblestone walkway
while you talk a violet streak, disperse a multitude of
vitamins.
The light grills you. You have only questions.
Prestidigitation. Your blue presence fuses into afternoon
above the mountains. The light is yours, the orange and
delirium. False cognates speak their own kind of music
tangled between understandings. The difference between live
and leave is greater than a shortened vowel.
I admit to moments without applying their gentle distress. A
fly’s wing. A hammer.
Having decided several things this morning I scribe them
here:
The operation: an excess
The Cat bifurcates. It’s not much but it’s something.
This cold is irrational.
It’s an occupation that affords me no small measure of
unenjoyment.
Hard to begin, harder to continue.
I continue.
Utopian pile of thought an end in itself. Endpoints of
spontaneity and emptiness, happy for nothing.
Twelve visible squares of darkening blue contrast with the
ambience of radiated heat, hot beverage and orange cushions
this side of them.
Presence of light-bearing abundances be they rectangular
articulations or squared is in any case suffice it to say
self and other, that yellow piece of fuck.
The cold is foreign, unwelcome invader but illegally
resident. Soy extranjera. Vengo de extranja. And the
tolerable damage, so be it, however sustaining the truth of
excess.
Separation grows in life, or growth lives in separations,
duplicities accelerate (cell division), augment. What’s
meant by “Conferring denies nothing, nor an abrogation.”?
Ignorance mistakes misplaced gestures or Ignorance.
Mistakes. Misplaced. (Gesture).
One mimes, carriaged in enchantment. Why do these words
forget the accents of a kiss? Contemplate you, your nerves,
the endings. He or she, the same. Forget nothing. There I
was.
I didn’t forget to have or have not. I bluntly refused it
she says over coffee. Truth was one could live, remain a
confused uncertainty pulled at by hope, optical illusions,
sedimentary arrangements at the bottom of a cup.
The feeling in exile beyond love is ecstatic. Speech the
love of the insane. You dream it. A comfort event. It falls
from being. Its fall a sort of failure.
For its part, beyond the fact-free, some three of facets.
From their something to unconsidered attachments,
appearances and disappearances, breathing a kiss in warm
yellow engagement. This. Exhaling its human scorch, that
yellow piece of fuck.
Sometimes to reject speech is to love well words.
The operation: an excess.
The Cat bifurcates. It’s not much but it’s something.
This cold is irrational.
Resists evasions, constricted maps. Her treasured darkness
shaken from his lips. He wouldn’t say a word that wouldn’t
write. I spoke. I will. I trajectorize in circular
formations, plow deeper in.
Night sitting in her quiet sentence among crushed blue
icicles. She hummed the rests. Inertia held them in
temporary resist. Or they embraced pushing all their weight
towards its edge. I spoke to each other. I rolled with the
mistranslations what was dangerous.
Oscillated risks and yellow fleck of kiss.
It’s hard enough to begin, that much harder to continue.
We continue.
I only unhinge her, there’s no display. You’re called
phrase, body, and. The cold is foreign,
unwelcome invader, illegally resident. We weave between
lengthening distances,
appearing and disappearing.
Touch in all that rages. Threadbare trusts.
BENEDICTION
Letters flutter above a page in
quiet meditation in Mediterranean drifts. Upward or downward
sweep of circling air rearranges the letters until they form
sounds. If words play with each [thought, if thought depends
on breath] breath. If I dream with random precision. If
verbs recycle like thought, not like thought, which, having
no center, ebbs, drifts. If thought changes. [Recycles as
breath, exactly as breath]
Words swim. Liquid as thought, stropped. Dense.
Carve land. Carry water. Air surrounds. [If life is mythical
fire soon appears signaling that things are about to heat
up. Okay, so] Later fire appears, flames fed by air as words
paint each breath. Watch the striations of color and custom
habit their tepid struggles warming to thought
blossoms.
Watch the temperature rise observe how it heats the
flowering molecules. Expansion exacts dispersals. Again,
thought blossoms. Motion in all moments extol the moment.
Observed pollen bursts. [Mind the heat]
There is no story that is not true. The world has no end,
and what is good among one people is an abomination with
others. There are strangers everywhere. Strangers who stray
from their clan on their way to where things are or aren’t
the same.
A full week of processions, horns, percussion – now a
rag-tag orchestra – [listen to the trombone’s notes slide
from its cavity] dominates a cobblestoned domain lit by
perseverance. The penitents follow. Mournful mouthful.
Narration as blessing.
Week of saints. If with the passing of days penitents and
bystanders drink the streets swallow or not an extraordinary
quantity of body and other fluids. Weak of saints, the
distance from church pew to trough, street.
The penitents follow. Some wear cone-head masks above satin
robes to hide their identity. Others, less shameful, merely
drink to forget their identity. Optical illusions, guarded
confessions. Remorse. Incognito.
Jesus sexy on his cross, legs spread, arms open, worldly
embrace? Penitence follows penis envy in the dictionary.
God’s rays project through the lowering cloud mass alighting
on rooftops and allegories, parabólicas and cables, tops of
newly flowering trees. Lines thusly joined refute
penetration. A geometry of incognizant shapes rent, meridian
points intersect.
What’s human? The answer is the question.
As scraggly orchestra members limp off towards the edges of
the city clouds part, seduced by temptation. Sun pricks
through and men in lime-green plastic suits armed with
enormous plastic bags, carrying big mops, scatter from the
main avenues into all the sidestreets, alleyways, and plazas
of Granada to begin their work. Messages code and uncode.
Pass from one to an other. All we know just as we know it.
Think we know it. Thought blossoms! Erase from these
streets! Amen.
© Laurie Price 2006.
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www.mipoesias.com ©
MiPOesias Magazine 2000-2006.
A Menendez Publication. Edited by Amy King.
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