| |

Kellie
Raines is an actor and writer living in Northern California. She
is finishing her degree in Theatre Arts and Creative Writing at the
University of California, Davis. Her first play, the one act
Saving Trophies is one of three plays selected for production
in the 2007 THIRDeYE Theatre Festival. She made her short-film debut in
the 2006 Sacramento International Film and Music Festival in All
in a Day's Work —winner of Audience Favorite. She has poems
appearing in the forthcoming 2007 American River Review.
She loves Vietnamese coffee and fog.
Sometimes Christmas
The year Christmas was San Francisco
I ornamented my lines with faults;
my body was the garland tinsel curve of
Lombard Street
intersected with your mouth.
You gave the Mission;
I bought persimmons
near Geary and Stanyan.
Tamale skins declared luck—
why mess with turkey bones
when you can pull corn husks?
For us it wasn't 12 days of Union Square
rejoice,
Advent calendar shop windows and
merchandise.
But it was lordly French men, gold
ringed,
in the Castro and their little drummer
boyfriends
who mistled toes when they had a chance.
We weaved yarn diamonds around once
mangoed Popsicle sticks
(homemade Eye-of-God gifts when rent is
too much
for high-thread-count cotton sheets and
electronics.)
We gave Panhandle(d) music,
drank molinillo frothed Atole in paper
cups.
I counted the lines on your immigrant
fingers,
you taught me how Catholics shake hands.
Bate, bate, chocolate,
Tu nariz de cacahuate—Peace be with you.
My one room apartment purpled with
stringed lights
and Styrofoam elves we hoped wouldn't
melt.
We champagne swallowed sacrapantina cake
before dinner; called it tradition, even
though we'd only done it once, in the
more-fog-than-snow-globe-realm of
Clement and 25th where salvation is
stapled to wood posts
near the Jews for Jesus office—
AIDS Support Group
Love Your Haight Ashbury
Homeless Prenatal Program
We would coffee cup ourselves in the
Tenderloin,
at our midnight mass diner
with a gold-toothed street messiah in
the next booth
who blessed my freckled tits and your
cigarette choice.
We sugared and creamed our orgasm
religion;
coffee for wine, coconut pie our
communion wafer.
Sometimes you have to taste redemption.
(And oh how we loved our spoon-to-saucer
choir)
as we tore napkins into snow clustered
bits
near windows that watched.
Sometimes reflections are prophets.
And sometimes we choose sin so we can be
forgiven
in cities of masa and fog, where
sometimes Christmas is San Francisco
like us—repurposed, made-up
like stacks of holiday tamales folded
into presents—
packaged districts, ribboned with hills.
Labeled with sticky to: and from: labels
of street signs
to: Market from: Dolores
menthol-medicated cream
I don't want to forget your phone call.
How I wiped the menthol-medicated cream
from my chest that night when I was
sick;
that I had bronchitis
and tried to hide my sick, cherry breath
with cinnamon fluoride—
that I did it for you.
I don't want to forget
so I'll never have to remember
another time with you.
How I hurried on makeup
hoping my Brown/Black lashes
would make me look thinner somehow.
As if the heights they reached
would stretch my body taller
and slimmer in your eyes that night
because I knew it mattered.
It was all very cinematic—
the blinds drawn, light slivered into
the apartment.
My peppermint tea cup,
your leftover napkins on the table
with your life plans drawn out.
My knees hard on the pillow—
the corner tassel and zipper handle
pressed into my skin leaving marks
not as deep as the unkind words
(I wouldn't swallow)
from your Calvin Klein model mouth.
I don't want to think that, somehow,
if I was prettier, more perfect that
night,
the only cold would have been December
and not the cold-faucet-water that fell
down my neck as I washed you from my
face—
how it ejaculated on a still hot-cool
spot on my chest
and cauterized you into the flesh of my
senses
as sticky-hot strands of hair stuck to
my lips
when I looked up in the mirror.
Now, Decembers later,
I keep that jar of medicated cream,
on a white shelf, in a pink-tiled
bathroom,
so I'll never forget what you taste
like.
© Kellie Raines 2006.
|
www.mipoesias.com ©
MiPOesias Magazine 2000-2006.
A Menendez Publication. Edited by Amy King.
 |
|