There's
a scene in a pseudo-documentary on the Clash where Joe
Strummer is talking to the hero (a guy who's hanging on
with the Clash). The guy is all caught up in the glamour
of rock-and-roll, producing the right style and cashing
in, and Joe says something like, "I've looked at all
that, making money, fame, the houses and cars. I don’t
see anything in it." That's where you have to start if
you want to get the late seventies, at least for those
of us not doing the disco ghost dance. Some of us,
whether out of a seratonin imbalance, or deviant gene or
just a good feel for rhythm and form and where it's
taking you, looked out at the decaying
industrial-suburban sprawl and thought, "there's nothing
for me that way."
To get what it was like growing up
in the second half of the seventies, you have to
remember that only eight years or so had passed since
the social dreams and upheavals of the late sixties.
See, it takes a while for things to shake out. A car
will work for a few years, and for bit, maybe a summer
or two, you can get away with little income. But,
resources are being burned, and the ugly features of
difficult relationships began to surface like bones.
You'd spend a month visiting your parents. Little by
little the larger weight of the culture and economy
began to settle. You were just some poor person after
all, living in a shotgun shack around some other people.
And the space ships were not coming.
But the dream, the dream lingered
the way a fog will. And we were not wrong about the
great emptiness that was beginning to appear in American
downtowns and Fourth of July picnics. Robert Frank had
gotten that right. Its just that there was too much to
invent really, and we were, anyway, human, which meant
social, so pretty much all the communes started to look
like small tribes anywhere. Loose aggregates of people,
but always, at least where communes survived, some
power-tripping guy, or sometimes a woman, sitting at the
center, brooding over the scene like a spider.
And if you came of age after 1974,
what you heard all the time was that "you shoulda been
here back when" and what people used to do, and about
the parties all night, like there were beaches
everywhere, and every ride led you off up into the hills
to Sugar Mountain.
I went to Umass because my
girlfriend Pat was there, as well as my best friends
from high school, Russell and Tom. I'd turned down my
acceptance to Bard College a year earlier (and thus
forever missed the doors of John Ashbery and did not
enter that romance). Instead I'd worked a year as a
dishwasher in different institutions—the IRS office in
Andover (dropping bad mescaline with my work-mates and
wandering the halls) and the 1st National
Bank building in Boston (working in the basement
cafeteria with a mix of white guys from South Boston and
Black guys from Dorchester). My brother Bruce and I had
a small room and a half in the Charlesgate Hotel near
Kenmore Sq. I think the soundtrack was Patti
Smith—"Horses" and "Radio Ethiopia" and "Shakin' All
Over" from the Who's "Live at Leads". I remember I made
mashed potatoes every night and danced around the room,
Patti singing, "Land, when will you be landing?"
Pat, Russell and Tom were all in an
alternative living-learning program in a dorm in the
Southwest housing complex at UMass (think 10,000 kids in
a quarter-square mile complex, with the "Rock and Roll
Animal" version of Sweet Jane blasting from the
eighteenth floor of a dorm tower, think dodging burning
sofas pushed out of the twentieth floor balcony, think
book-burning parties at the end of semester, think
apocalyptical).
And we heard the same shoulda been
here stuff about the living program which (in that way
that local connections are woven) had loose ties to a
nearby commune in Shelburne Falls called the Renaissance
Church, itself the product of an encounter between an
Edgar Casey-type rural mystic named Elwood Babbit and a
younger Mick Jagger want-to-be named Micahel who'd been
living in a tree. And, the Church was loosely tied (the
way things were) to a communal house where Richard
Alpert (Ram Das) and some bikers from Chicopee Falls
lived. So, we were at the edge of some prophetic
culture, and the arrivals and departures of people in
your kitchen were surprising and wonderful signs.
Of course, by the time I moved into
Pierpont in the fall of 1977, it was also mostly about
selling and taking drugs. I remember the first week I
was there someone discovered a hidden pot field in
nearby Hadley. Over the next few days, my dorm-mates
raided the field, taking away car loads until the farmer
found out and began to wander the fields with a shotgun.
Several rooms were, essentially, made into smoke-houses,
pot plants hung up and drying. And then by accident a
fire started in one of the rooms. Of course, everyone
raced around dragging the pot down the hall to the
lounge. I remember watching a campus cop, following this
trail of stems and leaves down the carpeted hall. He
pushed the lounge door open, looked in, and then just
shut it again.
I think that was when the campus
administrators began to think the learning-living
community should be disbanded. What I know is that
inside the dorm it had become lawless. What we only
dimly understood was that we had nowhere to go. So, in
early April, we took over the administration building
for two days.
But, what did we do that fall that
led up to that? Things like: we got pulled into
travelling to Kent State for the ten-year anniversary of
the shootings there. A long drive, and then the RSB
organizers doing everything they could to get us
tear-gassed. As part of the process of building a
movement—like, get us angry and polarized.
Shoulda been there.
I shoulda known then it was already
over, but we were all looking so hard. We were so
stubborn about it.
A squat biker named Steve who'd
lived with Ram Das was working as an RA for the living
community at Pierpont. He'd spent two years in jail on a
drugs charge and that'd leap out every once in a while,
but mostly he was into an LSD-shaman thing. Looking for
power places in the Holyoke hills, and looking to turn
people on. He died maybe nine years later in a bike
accident, trying to avoid a deer on a back cut through
the forests near Montague. A very fast fuse.
I spent the winter break in his
wife's cabin in Orange. She'd just had their son, and I
think Steve thought I could help Rayanne with the wood.
He was off to Florida with Tom's cousin Amy. Maybe he
figured I could use a break from Pat too—things were
getting spectacularly rough there. (Say Pat, and some
memories flip through--her Mom had dropped dead in front
of her when she was six, visiting the grave in
Provincetown, her squarehead Dad in his American house
looking with such despair at me, Pat playing Red Emma in
her kerchief at the Kent State Anniversary.)
Pat had been sleeping with my
friend Tom the first semester they were in school (I'd
taken a year off), but then had arrived at my rooming
house in early Dec. looking for me. Tom's a chiropractor
now, and he and his brother were both students of
Chogyam Trungpa of Naropa fame. His birthday was the
same as Russell's who I'd known since seventh grade
(Steve Tatarunas leaning over to laugh with Russell
about this guy—me—wearing rubbers to school.)
Russell was a sloppy fleshy tuba-playing genius who got
into Gurjief and Ouspensky. He and I must have come from
some other time or place because we'd fall into these
conversations about something he was reading, say Freud
and Jung, and I'd just get it fast, and 'd be following
him and debating. A big loose skinned guy with turned
out feet and some colossal Lithuanian Catholic guilt,
whose Dad ran a screw machine plant in Stoneham. Russell
took more drugs than anyone I ever knew (I remember him
collapsed in a high school stairwell in tears because
the yellow paint there was so sad) and dropped dead with
a brain aneurysm in his early forties just after
finishing a math PhD.
Starting in the middle of the fall,
Russell had decided to Tom Sawyer us into painting the
op-art design from Hot Tuna's "Phosphorescent Rat" and
its reverse on opposite sides of the hall outside his
door. Took us weeks, patiently painting thousands of
small black and white dots, folks in Russell's rooms
doing whippets (nitrous oxide) while listening to Zappa
or the Dead. (Not my favorite sounds, but wired into a
moody space in my memory now.) Russell having grandiose
ideas and schemes. His little brother, another Ouspensky
freak, showing up looking for the White Lodge and some
more LSD…
Something came loose in the spring
semester. Russell had fallen for fey Joanne (Joanne had
six clocks in her room, none of them set to anything
close to the right time), and, to impress her, he
decided to stage a smoke-in. So, trips back and forth to
the Yippie warehouse in the Bowery. Increased paranoia
about narcs and spies. Some time that spring Lisa got
arrested for throwing a pie at Bobby Riggs (of the
Billie Jean King-Bobby Riggs contretemps) who was the
guest of honor at a new mall opening. (Later that night
I threw a rock at their perfect new sign and hit the
pine-tree-in-a-circle logo dead on, leaving a half-moon
scar that was still there a year later.) Or, we sat
outside a fund-raising dinner arranged for Michael
Dukakis, looking each person in the eye and brightly
advising, "eat the rich".
Beautiful Pattie-Hearst Joanne
inexplicably took up with the craziest in-and-out-of
mental hospital/jail newspaper writer, and Russell
spiraled even crazier, deciding to pull us all into a
Ken Kesey experiment, so that, on top of being nineteen
and hormonal, we were also blasting our nervous systems
two times a week.
Cut to: me walking out into the
waste fields near the dorm in twilight dawn, trying to
find the source of a loud thrumming sound, like a huge
generator; finding instead, in a small clearing, the
trees completely filled with starlings, making this
thrumming, this huge flock, so big it took twenty
minutes to take off, the thrumming flattening in a
whoosh with each wave.
Cut to: me coming into my room,
early AM, seeing my roommate asleep (jazz sax player
would later play with Archie Shepp and go mad believing
a black woman from Africa was giving him life
instructions via the astral plane); over his head,
poised like a condensation of light, I see what I
quickly decided is his awareness. Reach out with my
intention and brush it; he rolls over in rhythm to the
touch. Pull back and climb to the top bunk, carefully
avoiding it so as not to wake him further.
Cut to: Russell, passing out raw
lamb that we'd stolen from the supermarket; it’s a full
moon Passover Good Friday, and my birthday to boot, and
Russell is passing out communion. His face wild in
ecstasy and fear, blood-juice running down from his
mouth. Amy already flipped out on the walk to Lisa's
party thinking we were all vampires (well before we
stole the meat by the way), but Russell and I had gone
back for one last hit and thus were not with the others
when Amy flipped, so we're not vampires. David in the
dorm foyer smashing chairs later. Russell runs past,
still seeing something none of the rest of us see.
Cut to: the guys from Hingham and
me walking to Amherst Center and the ground literally
tilting under our feet so that we stumbled; looking at
each other, David grimly but honestly says, "we're
fucked".
Cut to: the housing people let us
know they plan to disband the living community so we do
the only thing that make sense, we plan to occupy the
administration building: Frank Zappa, Eno, and the
Grateful Dead echo down the hallways.
Cut to: the shadow of the library
tower falling over the smoke-in like a dark angel's
pall. Yippie guitarist making dull electrical-machine
noise like the rumble of trucks.
Russell's plan to occupy the admin
building is typically grandiose. He wants us to stage a
march which will arrive at the admin building. He and a
few others will be inside and he will burst out of one
of the windows with a flag or something. I say, let's
just send some folks into the chancellor's office like
we want a meeting and time that with the arrival of the
march. The folks inside stage the sit-down and we stage
a vigil outside for them.
That's the plan. I lead the march
around campus, yelling through a bullhorn and when we
get to the admin building I let people know there are
seven of us inside. I am so jacked I take off and run
around the building completely once, and when I get
back, I find that two girls had broken a hastily chained
door and we are pushing into the building and crowding
up the stairs. There is a cop or two at the door to the
chancellor's office but I squeeze through the press into
the waiting room and drop excited next to Russell. Soon
the cops pull back and the building is ours.
Negotiations immediately start; all
the politicos from student government show up fast and
take that over. Russell is wandering the halls
fantasizing about erasing the university admin computer
memory banks with super magnets. I guess some pizzas
arrive. I hunker into vigil mode, am not too interested
in the negotiations.
We were there two days, but I don't
remember a lot except for when Brian and Jimmi leapt up
on a secretary's desk and recited Ginsberg's "America".
What did I do? Waited until we were allowed to leave.
Dawn. Red sky. Awake almost two days.
Years later I tried to retrieve a
video tape that'd been made of the whole thing. It was
in the Student Newspaper office in a closet, one of
those things that you move around for years without ever
looking at it. Part of the shape you work around. The
video tape was badly damaged, stuck together and decayed
in strange plastic blooms.
There wasn't any real reason for us
to take over the admin building, except that it was a
thing you did. What I found about myself was that I
could figure the tactics, if that's what you wanted to
do, but not the strategy. We were all headed for
Reagan's America. The spaceship was not coming. The
living community would be disbanded, and every one of us
would drop out, end up working shit jobs in Metheun or
Watertown or Hingham, trying to meet car payments,
taking on the whole ritual debt. There wasn't anything
it in, but somewhere, out past seasons of suburban
asphalt and vague parties, there was this thing of being
alive, holding the car on the road,
Bare teeth white. Feel the wind
flying.
No escape but in the felicities of
velocity.