MIPOesias~ISSN1543-6063~Volume 19 ~ Issue 2, 2005

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Helmut Newton: The Camera Release

Todd Swift

1.

 

2004

Died 83

Losing control

Car, Los Angeles

 

Images

Highly-made up statuesque women

Nude but for their stiletto heels

A woman walking in the rain

A woman in a kitchen

 

Predominant subject

Fashion shoots

Femmes Secrètes

A World Without Men

1970s

 

Born into a rich family

Weimar republic Berlin

Decadence and smoky nostalgia

Every film, poster, song or cabaret

In love with Marlene Dietrich

The American School, age 12

 

Obsessive fascination

Strikingly tall models

Wearing glossily lacquered hairstyles

Seamed stockings

1940s

 

Bought first camera

1932

Situation in Berlin

Increasingly more dangerous

1938

Left for Singapore

Raffles Hotel

 

Married photographer/actress

Tableaux vivants

Whimsical cruelties

Dominatrix

Photographer/voyeur

All viewers fellow-accomplices

 

 

2.

 

1956

Pair spent a year

London

Before moving

Paris

 

Shift to French Vogue

Elle, Nova, Marie-Claire, Stern, Playboy

International attention

 

Art should not kill

Artificiality

 

Everything that is beautiful

Is a fake

 

1975

Fashion portraits

New York, Paris, Amsterdam

Japan soon followed

Particular fetishistic interests

Models in handcuffs, trapped in cars

Wounded by bullets, dead on the floor

A Venice hotel, a swimming pool

The Mediterranean sea

 

Books followed

German, French, American

Meticulous quality

Major collections

Victoria and Albert Museum

Nikon Photo Gallery

 

Rarely interviewed

1978

55-minute interview

Thames Television

I never make the knots real tight

 

What at first

Looks

Like a whip

Is in fact only

The camera release
 

 

(Corrupted text, based on obituary in The Guardian and Independent,, January 26, 2004)

 

 
 
Poem © Todd Swift 2005. All rights reserved.  

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