GUEST EDITOR GABRIEL GUDDING ~THE STRANGE CALL
VOLUME 19, ISSUE 3 ISSN 1543-6063


The Seed                                       

I slam my bedroom door, drop the needle on Led Zeppelin III
and turn the volume knob all the way.  That’ll show him.
But my father’s gone: already traveling back to Venezuela,
back to his childhood home, to the old bedroom.  Arriving,
he finds the radio still there, dusty glass tubes glowing
in its back.  He slams his own bedroom door and tunes
until he gets an American station
Motown, The Four Tops. 
A ha!, he says, Toma esto!  But his father, dead and buried,
now begins knocking as loudly as possible the right side
of the wooden coffin, a tango rhythm he remembers perfectly,
insistent, bright
and so on toward the beginning. 
Music guides the patriarchal line of my family, music
the source of its fruitful destruction.  What else can we do? 
We are not kings.

 

 

 

 

 

 

 

 

 

 

 


 

Peter
Ramos

Peter’s poetry appears in Verse, Poet Lore, The Chattahoochee Review, and Slipstream. In 2000, he was nominated for a Pushcart Prize. His manuscript Short Waves won the 2002 White Eagle Coffee Store Press Chapbook Award. Watching Late-Night Hitchcock & Other Poems, his other collection of poetry, was published in Winter 2004 by Handwritten Press. Ramos, who holds graduate degrees in writing and English literature from George Mason University and the State University of New York, currently teaches creative writing as a visiting professor at Grand Valley State University. He and his wife, Diane, live in Hudsonville, Michigan.

 

Poems on this page ©  Peter Ramos 2005.
 

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