
GUEST
EDITOR GABRIEL GUDDING ~THE STRANGE CALL
VOLUME 19, ISSUE 3
ISSN 1543-6063
|
B E R M U D A A N T I G U A
“The imagination is the liberty of the mind.”
Wallace Stevens
“Imagination is only memory devoid a sense of time.”
Thomas H0bbes
Not the Niňa, the Pinta, the Santa Maria though just as blank and plausible As there is no sweeter formula than turning back
Even if probability is on the borrow from what cannot be happening but begins as a curiosity, and fails as lavender, bread, and herring
Another hole in the chain link
Another flush of supposal
It was something twixt the waves, though and it was quiet, at first
A ball passing overhead, gently aflame
With a taste for boundlessness and in a mood for annihilation
So I took the fourth one, the invisible the one with seven-heads, and chewed through the gears until there was no time to pose questions and no place to question the pose.
toward thunderbolts that blow through all these sea routes all this brine-soaked language
And the time that blows through with them, I am assured, is time served .
*
Reading the bricks
the world circles the head exhausted
a thwarted sun over an alley slurred shut
esoteric provocations counter self-examination
long waves, toppled sums hands in the air
echoes to ideas wander to rage ruins to gravy
when it should be personal
tides through a wound any other way around
gnosis to evasions tiny shifts in the sands.
* Imagination requires a theory of mercy a notion of time independent copper and passion ambition confined to a crumb moonlight out of kindness and supposal
*
“I
cannot persuade myself that a beneficent and omnipotent God would
have designedly created parasitic wasps with the express intention
of their feeding within the living bodies of Caterpillars.”
*
Beyond the hedges west of the cloud-capped towers in the vapor printed blurred edge of a mood long or short of words, cocktails, escargot the typically coastal claims the battered lull and between the brazen heads and bent harpoons east of sawdust, the soon burnt-out pastures of steak is a future bound for Virginia, and on to Durango to kill Pancho Villa or up to Montana to blow up Anaconda, wheels stubborn as downtown means business and each night the lawn will bark for coolant across a nation in the shape of a three-legged dog evenings thin as the lot was vacant and swollen like the wood before my feet
*
Because there is the idea of an island in the stuff of form, the remainder an opening at the base of the voice
Because the parrot fish eat coral and deposit sand
Because the voices are attached at the salt
Because invisibility
Because privacy
Because there was a glove left behind in a story about phosphorous.
*
*
When I’m unemployed, I masturbate severely but always stop a little early and contemplate summer.
I begin with a caldera.
As for now a black ship.
My hands are always humid.
I have never been to Bermuda. But I am told I hold its cadence.
The blow of thunder from below the bridge just as the bow hits the hull of another.
Lightning fields.
I yearn to monsoon. Quickly surrounded by flags.
* The angel of finance’s heart mills steel.
Victories like imaginations any shattered figure are the line between access and comfort
ghosts profess it incomprehensible colors envy the tone kindness reinvents it as a kindness returned or turned allegory the inconceivable scene by scene
against the terror that is cleanliness
whose thighs are wheels belly a furnace ears snakes.
Banked stares and blank stars scar what is constantly a matter of climate emerging from pulleys, cylinders, fans
*
“The history of England is the history of daily life on an island.”
Gertrude Stein *
Stroke
the slightest opportunity rather than something to use
hymns of consent two centuries of insomnia and still more waiting on the ring that puts the sequins to rest
ransomed chances phantom tempos a sunken flash one camp back always an obedient recline against the go-for-broke arias of whose shells am I collecting whose sheep do I count given the evictions and borrowed dents that rise like rivets from the girder overhead plush as the heave and rip the up and over robed edge of a gash left in a vending machine in the department of procurement near the finish line of the regatta de white out a pail of half-eaten bones
*
*
Gum, a lighter, and a knife.
Came through wild and restless as the geese in Montana Butte was home, before home was kerosene
I am Juanito who speaks with plants. Here’s my card. My email needs to be changed. I teach ancient Greek. Or I am Gardenia who organizes roots. Here’s my fax. Let very slowly, very barbarously break bread.
*
In a microclimate bent around a hibiscus—
inscrutable instincts toward descriptiveness rounded with sleep and shortened sinews grinding the joints and charging the goblins
and still the foreign bodies strut oblivious the wink of the machete and the nudged goose through another misty layer
the cloud-capped towers over the pool of cruelty
alone in the water with the most startling techniques
but stranded with a leech and a blind fold a hole in the chain link a breeze off the shore, no shore only withdrawal, friendly speech
at the waterfall, idylls cutting their teeth
*
*
Carts then horsepower a sudden desire for friends after long years thinking they were a weakness
But it was thinking that was the weakness it was replaced by strikes not in this country but in this ventricle
In death I suspect there will be some use for them these senses, however distorted
*
When I first arrived in Bermuda, I had nothing but my leash.
The place was filled with laboratories full of well-trained dogs, wind.
When the rains came and the water rose through the basement, it was the dogs that forgot all their training and fled, while the wind simply scattered across my lap and the intestines grew a little bureaucratic.
Now there is nothing but intellect, still unwilling to stick to the facts, full of wind and fat light, full of echoes, alcohol, and hard space.
That the dogs undid their training seemed about all there was on which to stake one’s life. I did. Now I’m marooned in a deep hammock following the curves of too many moons, moist ghosts, assorted metals lodged in the brain.
*
*
That history ended in prepositions that extreme tides followed the epic of legers coordinates and lanterns, the new foliage almost sensate, almost adversarial though as a function of syntax, diction the language denatured the abandonment enclosed
*
*
originality is a form of ferocity discernible exclusively through patience zoophilia is antagonistic to cuisine just as validation is the end of churning apropos childhood it seems tasteless that each stir or enunciation earns a sip you just get up or your lobster gently lays down versus the cook who feeds thousands but has he yet been fed anything, save usury and immobility save the nostrum of explication as the marrow of approach X marks the spot where there’s no difference between athletics and consumption for you who stop to exist— such accurate ships, where from the outset constant modifications come back pure error
*
“For everything is best considered by its constitutive causes. For as in a watch, or some such small engine, the matter, figure, and motion of the wheels cannot be well-known except it be taken asunder…it is necessary, I say, not to take them asunder, but yet that they be so considered as if they were dissolved.”
Hobbes De Cive
*
32º North of the Equator 64º West of Greenwich
A twig rolls or the finch stays down.
Irrigation comes in doors.
The intellect could never stick to the facts so full of wind in these latitudes no less humble no less transcendent than butter melting around an onion or the twang of the skillet as a genre of wisdom
provided the parabola or hydra of history provided thorns into grapes, thistles into figs and a small room full of ambiguous stains
Where the breath slithering comes to nest on a startled wrist.
*
*
There is nothing to eat seek it where you will but the body of the lord the blessed plants and the sea, yield it to the imagination. intact..
W. C. W. *
I corrected a few lines in my head and wondered if I was invited to wave off the flies or to feed them
It is a book against geometry. It gives no advice on corn and war. It’s against ownership and taxation, composed only of windows and a third of candle.
It is about what it is actually like to be a dolphin, rhythm without progress, and no conception of inertia.
*
Some flee, some dive, some run up trees. But they that read fastest are the first to realize there was no one else.
At least in my pocket beside the animal
There were just animals There was only besides
There was no one to give advice on corn or war.
And after the rains, crawling with newts.
*
“Animals, whom we have made our slaves, we do not like to consider
our equal”.
Charles Darwin, Voyage of the Beagle
*
through the incomprehensible to the ice chest full of pesticide then the shorn skull of the impossible jubilation ghosts the tint of sky half outside rain displaces the whistle in the knuckle, a goat for a knee intimate footprints of more or less often not able |
|
Poems on this
page © Standard Schaefer 2005.
WWW.MIPOESIAS.COM © MIPOESIAS MAGAZINE 2000-2005. A
MENENDEZ PUBLICATION MIAMI, FLORIDA